Collection

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Collecting things as a hobby can be a lifelong pursuit. It can take on a life of its own, and take us down a road where we’re searching everywhere for that one item (or two or three . . .) that belongs in our collection.

Although it might be just a hobby to collect, it can easily become more. Those collectibles can fill up bookshelves, walls, or entire rooms. The time that we invest into collecting can span years–decades even. In the process, we become experts in the field as if we’ve earned a Phd in it, knowing every nuance of the items we collect, and where to get the best deals on them.

This hobby of collecting can range anywhere from video games, cards, stamps, coins, memorabilia, books, artwork, comics, etc. It begins with having an item or two–an object that piques our interests, one that sparks our curiosity. As we collect more, we uncover a world that has a life of its own, including a history with its own origin story, and how those objects evolved into what they are today.

As we dive deeper into this world, collecting things like there’s no tomorrow, filling up our bookshelves until there’s no space left, we start to realize that no matter how much we collect, there’s always more to collect, and in some cases, there’ll be something new that will come out in the future.

Errors

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Whenever I catch errors as I’m reading a book, I’ll be taken aback in surprise. At first, I’ll be in disbelief, and I’ll reread the passage to make sure that I hadn’t misread it or that it was supposed to be a mistake (i.e. if it was part of a character’s dialogue). Once I realize that the error I caught was indeed an error, I’ll start to wonder how many more there are–if I had missed any prior.

I won’t feel disappointed by the error, however. On the contrary, it reinforces the fact that no matter how thoroughly a book has been checked for spelling and grammar, there are errors that are hidden–errors that seem to blend in one with the page, and could only be caught by someone who isn’t familiar with the book–someone who is reading it for the first time.

There’s a saying that during the editing process, we should get another pair of eyes on our draft. For one, the reader can catch the errors we missed due to our blindspots, since we’re so familiar with our work that we don’t see the errors that would stand out for someone else. Also, even if we’ve proofread our work a dozen times, that doesn’t mean that there aren’t errors we had skimmed over or missed. Besides, our knowledge and application of grammar rules, punctuation, and word usage could have flaws.

Short Chapters

When chapters are short (i.e. 2 – 5 pages), it’s easy to breeze through them, get to the next chapter without taking a break. On the other hand, when chapters are long, it can get tiring and exhausting to reach the end. For me, I’ll close the book once I start yawning or my eyes get heavy. If I don’t make it to the end of the chapter on the second reading session, I’ll be less inclined to pick up the book for a third session.

And each time I read it and don’t finish a chapter, I’ll read less each time I pick up the book. It’s like I’m not making any headway in the book. When I read a book, I want to feel rewarded by the experience, to learn something new or at least make it to the next check point. And if I’m not at least making it to the next “check points” (i.e. chapters), and it becomes more of a chore to read the book than a rewarding experience, I’ll stop reading the book altogether.

If I’m reading a book with short chapters, even if the chapters are uneventful and slow, they won’t strain my attention nor my concentration. They’re short enough where I can get through the pages without feeling bogged down by the pace or the lack of action or dialogue. I can make progress through the book much more efficiently, since each one presents something new without overextending itself with filler. Besides, short chapters enhance the pace of the book, and they can have as much or more impact than a chapter that’s lengthy and tedious, which can put me to sleep.

Humor

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A story that has humor gives it that extra value of entertainment and engagement that uplifts the experience from one that is simply read to one that we can laugh out loud with.

Humor can come in the form of irony, satire, or even straightforward jokes. When it is in the form of irony, it can give character and a playfulness to the dialogue or the events that unfold. For example, they can give insight into the way the characters think, or in the way the events unfold in relation to what we expect (perhaps, defying our expectations to great surprise).

When the humor is satirical, it reveals the ridiculousness or absurdity of a situation with an effect that can be more powerful than just plainly saying it is. And with humor that is straightforward (i.e. when characters tell jokes), it shows us a side of the characters that we wouldn’t otherwise know unless we were told that they had a whimsical side to them.

Due Dates

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Due dates give us an incentive to finish, to wrap up whatever we’re doing before we proceed further. Even though there can be pressure and anxiety associated with due dates, they push us to work harder, to focus on the task at hand until the work is completed.

But due dates can have a negative effect as well. Depending on the amount of work there is in proportion to the due date, that due date can add undue stress and fatigue, especially if the work far exceeds what can be accomplished by the due date. This can make the work/project unbearable, unenjoyable, and make us want to never return to that kind of work or project again.

On the flip side, without due dates, the initiative isn’t there to finish a project. We can take as much time as we need, but on the assumption that we’ll be working on it consistently, and that we’re not pulled away by other things that distract us or demand our attention. But how often are we distracted, and how often do new things come up that demand our attention? Daily, of course.

Thus, there must be a middle ground between the two extremes of unreasonable due dates and no due dates at all. That middle ground exists where experience shows what can be achieved given what is humanly possible. Exceeding that limit can cause us to sacrifice quality for completion, or to sacrifice completion for quality. But the question is how far can that limit be pushed?

Not Correcting Errors

When writing, I try not to look back. I try to forge ahead despite the typos and wrong words that are typed in the sentences. There’s an urge to go back and correct things, to add a comma or period here there, or to fill in the missing words that will complete the sentences. But I ignore the errors for the sake of putting all of my thoughts down, to keep the flow going.

The flow is the important part. Writing requires quantity of words, and without them, there’s little to edit. To increase the word count, I have to keep writing no matter what, because if I stop to correct things, I’ll lose the momentum, lose the flow that allowed my brain to crank out ideas in quick succession.

It’s tough though. There are times when I want to go back to the last sentence to add more. Go back to the last paragraph and tidy things up. But that can be done later. That can be done after everything’s been written down, and it’s time to edit.

Fixing Things

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Without something to fix, our day would seem fruitless. Whether if it’s an intellectual question, a practical situation, a mechanical/engineering problem, or a work of art, we need something to fix, something to invest our energy and labor in to repair or rebuild what was imperfect and flawed. If we don’t have something to fix, it’s as if our talents would go wasted and untapped.

When a problem presents itself to us, we’re engaged in the process of solving it, of bringing a resolution to it. This process activates our minds, taps into the creative parts of our being, and brings about a chain reaction of events that can go on for days or weeks or months until we’ve fixed the problem.

Sometimes that problem could be as simple as changing a flat tire on a car. It requires us knowing what tire to replace it with and how to replace it efficiently according to the correct steps. We have to carefully consider how we’re going about it, and apply our knowledge to complete the task. When it’s done, we feel satisfied, relieved. But that will be short lived when the next problem arises. Solving problems and fixing things seems to be an innate part of who we are. It’s as if without problems to solve or fix, we’d languish in inertia.

Roadblock

When I can’t make progress on a story for one reason or another, it’s like I’ve run into a roadblock. Despite having a lot of great ideas for it and that I’ve planned it out, I can’t make progress on it. It’s as if writing the story has been hindered by an unseeable force, causing me to struggle each time I try to add a sentence to it.

Sometimes that roadblock can happen a day after a great writing session. It’s like the story has just decided to quit, and I don’t know how to keep the story going. The roadblock happened out of nowhere, and now I’m completely baffled by the situation.

To overcome this, I usually have to wait–give it time for the roadblock to disappear. At other times, I’ll try taking the story in a new direction–a direction that offers new twists and turns to keep my interest piqued in the story. Or I might put the story aside and work on a new story altogether.

Surprisingly enough, after a few weeks or months, that story that I had put aside will read like new to me, and I’ll be excited to work on it again.

Inspiration

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Inspiration is something we all need. Inspiration emboldens us to go beyond the norm, of pushing us to (or beyond) our limits to achieve our goals.

Inspiration can come from art, movies, books, history, and those around us. Inspiration gives us the resolve to pursue something beyond the requirements that come from discipline and habit. Although those are great things, inspiration can turn discipline and habit into boundless creativity and energy, a persistence that will not waver despite the hurdles and setbacks that come our way.

Details

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One aspect that I enjoy about writing is adding details. Details can give a scene realism and paint a picture in the reader’s mind of the environment. They provide an added layer of depth that makes the scene and characters stand out.

But details can be overdone, and when they are, it can be tiring to read through. It’s like reading a passage with a bunch of superfluous and ornate words, and by the time you get through it, you wonder what you just read. The same can happen with an overabundance of details. The long list of details make it seem like everything that was described was important, but at the expense of exhausting the reader’s memory and patience.

For me, adding details give more depth to a story and the characters (such as their backstory), and it helps the reader to visualize the events that are taking place. But when the details pile up to the point that there are too many things to remember, it can have the opposite effect that was intended.