The start of a new chapter in a book should pull us into the story. It should keep the tension and suspense of the last chapter present–activate the unknowns of the plot to engage our curiosity–to keep reading.
When this doesn’t happen, it’s as if the writer is just going through the motions, isn’t even trying to grab our attention. This might work well in a book that has dramatic cliff hangers, but not for stories where it starts off with a completely new scene where nothing dramatic or tense is happening.
Even though the first few lines of a new chapter should set the tone, there should be something unsettling or intriguing about it. It’s fine to describe the setting and the atmosphere, but it should be followed by something gripping–throw us into a conflict. Once that happens, we’ll keep turning the pages.
Personally, I don’t want to dog-ear the start of a new chapter, which is what I usually do. My rule of thumb is to read a chapter or two before taking break. When I’m bored or disinterested, I’ll forget all the details–the character names, the locations, etc. But I’ll keep reading if the new chapter is powerful enough. In that case, the story is playing like a movie inside my mind, and it’s one of the great pleasures about reading.
