Still Life

In art class, it is common to draw a still life that’s set before the class. Some teachers might have you draw them in graphite, pastels or charcoal.

The idea behind drawing the still life is to practice and get better at recreating, in detail, what you see. As well as getting the proportions right, you have get the shading and tonality and texture right as well.

Many years ago, I was drawing a still life of an apple with pastels. The professor was observing the students’ work, and he came up to me and suggested not to use only red for the apple, but to use blue, orange, green, etc. He explained that although the apple appears to be one color (red), but it’s actually made up of a multitude of colors that are imperceptible to the eye.

It’s similar to the painting by Georges Seurat entitled A Sunday Afternoon on the Island of La Grande Jatte. Georges used a style of painting called pointillism in which he applied individual dots on the canvas until he had completed the picture. Each dot was just a color, but the total sum of those dots created a scene with distinct people and objects.

Without even mentioning Georges Seurat, my art professor taught me this very concept by a simple suggestion. Afterward, I began to color the apple with different colored pastels: orange, blue, purple, etc. After I finished, I was surprised with how vivid and colorful the apple turned out.

It has been many years since that teaching moment, but it has stuck with me till this day. I learned how important it was to try new things and to experiment in whatever craft you practice–and to see the complexity in something as simple as an apple.

Posted in Art

Indecision

When I play a game of chess, it involves so many decisions in terms of positional strategy, tactics and thinking about what the opponent is up to. Sometimes I just freeze, and it feels like any move I make will worsen my position or just lead to my being checkmated. That’s how it feels when indecision strikes me. I can’t move. I’m stuck.

Indecision is one of those things that is debilitating and frustrating. It comes out of nowhere, and it feels paralyzing when it happens. It can happen for a wide range of situations, such as what attire to wear, what to eat at a restaurant, what career or major to pursue, buying a home or deciding on a place to rent, etc.

We run decisions through a network of ready-made systems and values. The frustrating part is when none of the systems or values can resolve the problem at hand. When it’s overwhelming, we have to step away from the dilemma, hoping that the solution will come to us somehow (or out of thin air).

Sometimes this works when we realize we just needed more time to think about it. Other times, we need to talk it through with someone–get another perspective–another set of systems and values to relay it through.

We might even pray about it, waiting for the answer to come when we’re not expecting it. Or we might decide to let our gut-instinct settle the matter. Regardless of what the solution is, indecision is a paralyzing, and we don’t want it weighing us down.

It can affect all areas of our life. Not only practical matters, but even our creative choices.

In my case, I struggle with things such as the title, how long a story should be, what the story arcs should be, how to conclude the story, and what the series of events should be, etc. Sometimes the answers are very obvious and don’t take long to figure out. At other times, they seem almost impossible to resolve.

When this happens, I take breaks and walk outside to resolve indecisiveness. I find that when I’m working on a problem head-on, I’m fixated on one method or a set of ineffective methods to find the solution. It’s kind of like trying to figure something out with brute force, when what you need is wit, or as that saying goes, thinking outside the box.

I find a change of scenery helps to alleviate the stress and worry of the indecision. Fresh air often calms the mood, and helps us to analyze the problem without the pressure that’s associated with it. The answer can seem almost obvious afterward, like when we say “why didn’t I think of that?” or “of course!”

And if that doesn’t help, I find that talking about it with someone gives us insights we didn’t have to begin with. It’s as our problem-solving systems and judgment-values weren’t sufficient to solve the problem to begin with. It needed some growing, some additions, refinements, and fine-tuning to improve and enhance our decision-making ability.

And then everything is well and fine until the next indecision . . . .

Synopsis

Writing a synopsis for a story can be a challenging task. A synopsis summarizes the story while highlighting important details in the story. Unlike a blurb, which is more like a trailer that’s designed to pique your interest, the synopsis summarizes the entire story from beginning to end.

For my novels, I’ll write several drafts of the synopsis before I get it right. I’m not only writing what the story is about, but I’m pitching the story as well. I want the story to sound fun and exciting to read. I want the synopsis to inspire the reader to pick up the book and start reading it before they’ve finished the summary.

When I read the synopsis for any book, I’m looking to see if it grabs my attention–if it sparks my curiosity. And if it does, I won’t even read the synopsis to the end because I want to find out what happens when I read the book.

A good synopsis describes the plot rather than describing individual scenes or listing all the characters involved. It highlights the story’s arcs and clearly explains the events in a clear and concise way. Even if the story isn’t for me, a good synopsis might convince me to put the book in my wish list.

Dining Out

After an arduous week of work, it’s great to dine out on the weekend with friends or family. Once we’ve found a great restaurant, we know what we want on the menu and what we would like to try. We know what the service is like, as well as the quality of the food and what the prices are.

But to find a great restaurant is a process in itself. Sometimes when we show up at a restaurant we haven’t tried, the waiting time is long (isn’t it crazy when it’s an hour or more!) and who has time to wait that long to be seated?

We can search for restaurants online or hear about them through word of mouth. Reviews online can give us an indication as to what the service and food would be like. But we still need to go to the restaurant and try out the food to really know if it’s good. The experience can be a hit or a miss.

Trying out a restaurant is like taking a gamble on something. We don’t know the result until we try it. But that’s the at the expense of our wallet–and time.

But another question we might ask is if we really need to dine out or if we should dine in? This might depend on our budget, or if we prefer to cook at home. We might prefer to know know where the food came from, as well as how it was cooked.

The decision to dine in or dine out is one where we balance practicality and the yearning to eat outside our home. It’s great to be able to relax and socialize with friends or family at a restaurant if we’re feeling the need to get out of the house/apartment. Also, choosing the right place is important so that our experience isn’t spoiled by poor quality or service.

But it’s also great to eat at home, to put time and care into the preparation of the food we will eat. When we try a recipe for the first time and it turns out great (or maybe after multiple tries), it’s a wonderful sense of joy and accomplishment.

Just Another Page

When reading a book, there comes a point when it’s time to take a break. But if the plot is drawing us into the story, we might say to us ourselves “just another page,” or “just one more chapter.”

It’s one of the things that I love about reading. Not only do stories transport our imagination elsewhere, they grip us–keep us turning the page to find out what will happen next. It’s kind of like when we travel and explore a new and unfamiliar place. We keep going to find out where the road leads, and what will be at the end of it.

That’s what it’s like when reading a book that is really engaging. We’re curious to know what will happen to the characters, how the pieces of the story will fall into place. We keep turning the pages even if we’re tired or have other things to do. It’s all that matters at the moment.

“Just another page” can be 10, 20, or even 30 pages more. And when we finally put the book down, we realize what a rewarding experience it was to read “one more” page.

Sounds of Nature

A motif in my book The Birnbaum Case (especially during the dream sequences) are the sounds of nature. By the sounds of nature, I mean the sounds of birds tweeting, critters crawling, grasshoppers chirping, leaves rustling, etc.

When I take walks outside, especially during the summer, these sounds create an ambiance where I become conscious of the diversity of life. They remind me that there are worlds, big and small, taking place behind the scenes, whether they be an insect colony or a bird’s nest.

Even the sound of running water or the grass and leaves rustling from the wind inspire me to extend my time walking. The sounds of nature are active, full of life, compared to the white noise of machines or the soft humming of the A/C vent.

When I’m outdoors, I feel that there is so much to explore and see that’s beyond my ability to grasp. When I look up close at leaves, branches or flowers, I find insects, strange patterns, and qualities that bear something profound and mysterious.

In contrast, when I’m driving on the road or walking inside of a building, I’m focused either on the signs, the music that’s playing (i.e. in the car), the people that are around me, or the architecture/interior design. Moreover, I’m focused on things I need to do or the places I need to go.

But when I’m outside, hearing the sounds of nature silences the noise of my busy world. I’m no longer in a hurry. I can be still and listen.

Movie Sequels

I’m fascinated by movie sequels for several reasons. There existence at times seem unnecessary, trivial, yet at other times, they combine to create a cohesive narrative.

One question I ask myself is why they’re made in the first place?

Is it because a singular movie wouldn’t be long enough to cover the story? Or is the sequel more of an after thought, whether it was made because of the first film’s success, or because of audience demand?

The sequels I enjoy the most are when they are self-contained films (i.e. The Star Wars series and The Hobbit films), where they could exist on their own with or without a sequel. But when a movie ends inconclusively, almost abruptly, then it feels as if the movie is incomplete.

I think the same is true for books. No matter how good a book is, if it doesn’t have an ending but ends abruptly, it’s as the author didn’t finish the book.

But I digress.

My focus on the topic is what justifies a sequel. Is the purpose simply profit? In that case, might the sequel be the same as the first movie, but with better special effects, CGI, etc.? Is the sequel showing us something new? Is it advancing the story, leading us to the overarching conclusion?

I think the problem that a series can fall into is using the same formula again and again. Is the sequel merely a stage for new action scenes? Is the outcome always the same?

Good stories surprise us, and go beyond what’s formulaic and predictable. Sequels tend to fall in the trap of rehashing the same formula again, giving us the same movie but with a new cast or with new scenery. But if sequel can stand on its own, then it does two things: it advances the overarching narrative, and shows us something new.

Coffee or Tea?

Which do you prefer? Which of these gets you ready for the day? 

Perhaps the question is more about needing caffeine or preferring a certain taste. 

Which of these jolts your nerves and sparks your creativity and productivity? 

Perhaps the need for caffeine is just a myth and all you need is a glass of cold water to start the day. 

Hmmmm . . .

I’m a coffee drinker—drink it almost every day unless I’m feeling ill. If I don’t get my coffee, I feel empty. It’s almost a necessity at this point—something I look forward to when I wake up. 

If I don’t get my cup of coffee, I feel like my day has been thrown for a loop. I won’t feel refreshed. Nothing seems right. My ability to function is off kilter.

It’s as if I’m going through a physiological reaction when I’m without coffee. I need it to satisfy my taste buds, my nervous system. And it’s not just having any kind of coffee. It has to be bold—dark. 

Decaf or medium just won’t do. Drinking those will feel like I took the wrong medicine. I’ll know because my nerves won’t be jolted, my mind won’t be as active. 

And the creamer has to be just right. It can’t be half and half or 2% or any of that nonsense. It has to be my preferred brand and flavor (sweet creamer). 

Once I have my cup of coffee (or two), my day will start off well. Even if I’m stuck in traffic or going through a rough morning, coffee will get me through it. The slow start won’t really matter so much, since I know I can sip it away. 

How Many Edits Until a Story is Finished?

Normally, it takes me about 5 edits to finish a story. It could take more, of course, but that is the average for me. I’ll describe the process below.

The first edit consists of rewrites and changes to the story. I might change the characters names, the location, and even the turning points. It’s about looking at the overall picture, to make sure that the story is cohesive and that it has a clear beginning, middle, end. The first edit is a structural analysis of the story.

The second edit consists of working on the details and adjusting the scenery, fixing the pacing, etc. It’s not as intensive as the first round of editing, but a lot of edits are still made. I might delete entire paragraphs and change the sentences around. The second edit is about making sure the story is communicated properly.

The third edit focuses on flow and word usage. I pay more attention to homonyms such as “they’re,” “their,” “there,” and I tighten up the dialogue and the paragraphs. It’s basically a refinement edit.

The fourth edit is more like a proofread where I’m checking for spelling, punctuation, and grammar. I can’t begin to tell you how many times I drop words even though I will have read a passage 3 or 4 times already.

The fifth edit is a comparison edit, where I compare the 3rd and 4th drafts using the “Compare Documents” feature in Microsoft Word. I look for the edits I made in draft 4 and decide if I should keep them or revert back to the original (the 3rd edit). It’s a buffering and shining edit.

And before I publish (especially on Amazon), I usually send my story to a reader to have another pair of eyes on it, to see if the narrative makes sense, as well as to check for spelling/punctuation and grammar errors.

With each published story. I continue to improve my writing. I learn from my mistakes and carry the lessons I’ve learned onto the next story. It takes a lot of work and time to revise and edit a story, but it’s worth it to have a polished story in the end.

Thinking of an Idea for a Story

I used to find it difficult to think of an idea for a story. Later, I realized that the trick is to not try and think of the idea. Rather, it’s letting the idea come to me.

For example, I come up with many of my story ideas when I’m doing something mundane such as washing the dishes, folding clothes, or taking a walk. The idea usually takes on a life of its own once it strikes my mind. It see it play out like a movie, and imagine all the nuances and possibilities of the story.

Story ideas can also be inspired by something in our lives. It could be something we’re going through, or something we wish we could fix or that we had (i.e. magic or special abilities). It could be inspired by what we saw on the news or sparked by something that happened to us.

The idea for a story is something that can come to us from anywhere, but we just have to be ready for them when they arrive. And once they do, we must be ready to cultivate them into stories.